Banksy

 Around various places in Portstewart we have a bit of Banksy-esque street art.  This one is located half-way up the cliff walk, just below the Dominican School where I was a Board Governor for a time.  It's kind of tucked away in an alcove which at one time would have been a conduit from the School Grounds to the public walkway but at some point this has been bricked up - either to stop school kids playing truant or to stop members of the public walking onto the school property.  Either way, they used the cheapest bricks they could find, which clash somewhat with the beautiful old basalt stonework of the retaining wall around the school.  

The work represents (I guess) a small boy playing hide-and-seek (he's doing the counting bit, covering his eyes as he faces into the wall).  It's the sort of art work that I've found difficult to make a decent photograph from up to now - the location means it's all a bit dark and dingy.  Anyway, this represents the most successful I've been so far:

Our local Banksy-esque artwork.
On old Ilford Warmtone paper, bleached back and re-developed in hot lith.

If you are interested in the process, it goes something like this.  (Note - these are phone snaps from the darkroom). First, make a normal print (develop and fix as usual), give it a quick wash and then immerse it in a solution of cupric sulphate (hence the blueish-greenish colour of the liquid in the tray):

The bleaching process is slow to start but eventually things get moving:

Once we get going, the process accelerates and before long there ain't much left on the paper:

As you can see, just a faint image remains.  I pulled the print shortly after taking this snap.  Another short wash and then into the lith developer and after another few minutes you have the final print as shown above and below again (borders were added digitally to the scanned image of the print).  All is needs then is another fix and wash before leaving to dry.  The nice thing about the bleach and redevelopment process is that it can be done with the lights on, since the print has already been developed and fixed normally.  This is a good thing - normal lith work (i.e., using lith as the first development stage) means lights off/safelight only and it can be challenging to pull the print at the right time, ensuring good deep blacks while still retaining detail in the highlights.