Hanging around

So, back in Portrush we are in the piazza.  Well, OK, maybe not exactly en par with an Italian Piazza, but nevertheless it's a public space with interesting shapes and what have you.  A grand place to hang around with a camera.

Via the Nikon/HP5+, 50mm lens with a yellow-green filter and an old Epson scanner.  The old clock tower of the railway station in the background.

Churchyard stone

Another one I've posted before, but this time via lith developer and Slavich Unibrom paper, with a mild sepia tone:

Gravestone in Killowen Churchyard, Coleraine.  The print appears slightly more contrasty than the scan, to my eyes anyway.

Winter is here

Winter is definitely here in The Liberties.  Minus 4 here this morning, which is a pretty low temperature for us, being so near the coast.  Although it's rather lovely out - dry and bright with no wind - it's not my favourite time of the year, since I'm none too steady on the old legs.  A few friends of mine who also have AS have ended up with neck fractures after falling on ice&snow, so extra care is required when the temperature drops below freezing.

But life goes on.  My wife has had her gall bladder successfully removed and is recovering at home, while I pretend to be in charge.  It's prize day today at school and Missy is very nervous - worried that she might trip and fall while walking across the stage to collect her certificate and book token.  I'm sure she's more excited about the book token than the bit of paper - she's a keen reader, too keen at times which means it can be hard to get her raised from her bed in the morning.  Ah well, it could be worse, as I keep telling myself.  Long may it continue.

I liked the soft light and shadows on the tree trunk the other day - but failed miserably to notice the post sticking its head up in the background. 

I Surivived

Well I survived the Camera Club evening.

I took along a few prints, on different papers so as the audience might get a feel for what this thing is up to.  Some regular resin-coated stuff, some fibre, some toned and some lith.  Some from FADU Print Exchange and some from Roy Karlsvik.  I wasn't sure what to expect by way of feedback/interest - I got a couple of questions about different papers and 'what camera was used here' but that was about it.

And I took along a developing tank, a couple of reels and a few exposed films so people could see how easy it is to load a reel in the dark.  Well, mostly it is, provided everything is clean and dry.  But when it goes wrong, as we know it can do from time to time, it can get quite stressful.  Best I find to dump everything in the tank, close the lid, go for a cuppa and start again sometime later.

The view from the wee houses in Portbradden that I posted in a snap yesterday - looking out across the North Channel towards Rathlin Island in the distance.  A lovely wee spot to find yourself in.  Portbradden is from the Irish 'Port of the salmon' apparently.  We didn't see any salmon that day, unfortunately.

I took along a few cameras - a couple of point-and-shoot charity-shop finds, the old 6x4,5 Zeiss (another charity shop find) and a rangefinder (no - not that rangefinder, the Yashica GTN.  You know - the one that the back keeps springing open 'cos some-one (cough) put the wrong felt in when re-doing the seals a while back and never got round to sorting out.  It's on the list - promise).  And I took the Nikon N80.   I decided that the Franka was just too delicate, the German Rangfinder just too expensive and the FM3a was just too nice to take along.  And the recently-acquired Square-Shooter was just, well, too new.  Plus, I would still like all those to work for some considerable time.  In the end there weren't that many people there - perhaps 20 in total and it was all very informal.  As to be expected there were lots of oldies like myself who had used film in the past - quite a few still had cameras sitting in lofts etc.  But it was clear that a lot of members simply stayed away - for last week's talk on Aurora chasing the place was packed out, maybe 50 people.  "Auroras are interesting, film photography isn't" I guess is the lesson for this week.

I took along the 'Field' camera - the Sinar.  Not that I'm an expert on large format photography by any means but I can get by and I thought the good peeps from the Ballymoney Photography Club might appreciate seeing a proper camera for once.   So I built it up 'live' and invited people to inspect the ground glass and get a feel for what the whole LF thing is about.   I introduced it as 'the perfect antidote for those of you who feel it's just too easy to come home with a few images too many after a day out with the camera'.   I think they got the picture, so to speak.  Let's face it, you are never going to come home with too many large format images no matter what the occasion.  Actually it garnered a lot of interest and quite a few people remarked how it was great to look through the ground glass, the clarity of it and being able to use both eyes (I have a binocular viewer for it - not reflex, just straight so you still see a reversed, upside down image).

It appears the club has one other darkroom user - Freddie, who brought along some kit (including a lovely Mamiya C330) and some nice big prints.  He's been gradually moving to digital, though, and I got the impression his darkroom might not be in use for much longer but at I'm happy there's at least one other guy who for now at least still enjoys this sort of play.

It'll be interesting to see how the whole club thing plays out over the next few months.  I'll keep you posted.

Clubs

The other day Mr Karlsvik over there in Norway was writing about camera clubs and stuff...wondering whether or not to sign up and to which one.  I was a member of the local club here in The Liberties in the 70s, when I was a spotty youth.   To the best of my knowledge it folded more than a few years ago.  But now there is another one on the go and it seems to be going strong by all accounts - it's a member of NIPA, the Northern Ireland Photographic Association.  NIPA runs competitions and generally supports the work of the clubs around The Province.

Like most clubs the prevailing wind is digital photography and that holds little interest for me.  I did digital for a few years but just didn't enjoy the workflow - all that sitting in front of the computer, editing pixels and stuff left me cold.  I really enjoy the physicality of film photography and while I love me cameras and stuff I seem to get most enjoyment in the darkroom side of things - probably as that's where the magic happens, I guess.

Out along the Antrim Coast, just past the Giant's Thingmy.  A good spot for a wee house, sheltered from the prevailing North-Westerleys by a big lump of rock.  Portbradden, I think it's called.

Anyway, I was up by Mountsandel Wood the other day with The Hound and was just returning to the car when I noticed a guy with his foot up on the car boot lip, stretching his hamstrings getting ready to go for a run.  His car was sign-written and I realised this was the guy who runs the aforementioned local camera club.  He looked approachable so I couldn't just Walk On By, as the song goes.  (I've always liked this version - it takes me back to me youth).   So we chatted for a bit and I told him I'd looked at the club's guest speakers last year and it seemed to be mostly digital and blah blah blah.  Anyway, to cut a long story short, it turns out that on the 22nd November there is a 'Traditional Film Photography' night planned.  You'd be correct in thinking 'That's tonight'.  Next thing he's asked me if I would like to come along and speak and well, I couldn't very well turn him down, could I?  So later this evening I'll be at the Sperrin Club in Coleraine, flying the flag for 'Traditional Film Photography'.  Wish me luck.

That phrase always gets my attention...traditional this, traditional that.  It's like our local chippies - it's always 'Traditional Fish n Chips'...never 'Contemporary Fish n Chips'.   Surely to goodness there are other liked-minded people in The Liberties who don't actually like soggy chips cooked in weeks-old oil and fish batter that isn't crisp.  Actually when I think about it, they all seem to do a roaring trade, so maybe it is just me...

Again

OK so I know y'all have seen this one from Castlerock beach before, but here's another version of it:

On Slavich paper, Moersch EasyLith developer

Last time you saw, it looked like this:

On Foma 131 paper, same developer.  It looks toned, but isn't.  Clearly much warmer than the Slavich and not really lith-like at all, by comparison.

Back to the Slavich paper, but with a sepia tone:

Sand, sea and sky

I got into the darkroom yesterday morning for a short printing session.  Some good, some not so good.  Not sure what category this one comes into, mind you.

Portstewart Strand, sometime last week

I was doing some lith work, using the old Moersch Easylith stuff.  20ml of A, 20ml of B and about a litre of warmish water (25 degrees or so).  And a new paper for me - Slavich Unibrom.  What came out was very different to the only other paper I've tried with lith, the Foma MG131.  The Slavich came out very neutral to cold and with a much more pronounced lith effect.  If it sounds like I know what I'm talking about, I don't really - I've only played with this stuff a handful of times.

I must admit though I'm really liking the Slavich paper with this developer, even though I probably over-cooked this one somewhat.  Came up on me rather quickly, it did.  Next step is try a little tone with it, to see what happens.  All good fun.