Banksy excepted, graffiti has such a negative connotation to it, don't you think? While a lot of folk around here might not class this particular bit of street art graffiti as such, it is painted on Council-owned property (the kiddies beach & play park in Portstewart). It appeared around the time The Open golf tournament was held in neighbouring Portrush, so a couple of years ago. The weather has rendered it slightly less readable than it used to be:
The Crescent Playpark at Portstewart, February 2021 |
Taken on the 4x5 Walker TiTAN pinhole camera, with Fomapan 200 loaded. I was rating it at iso 50, which gave me an exposure of 30 seconds on a rather blustery (and cold!) afternoon last week. I tray-developed the film sheets in ID-11 1+2 for 11 minutes and they came out looking rather delicious, if I say so myself, with lots of detail in the sky and the foreground. Printing them on Ilford MG Classic fibre paper was challenging, though. I burned through a few test strips before I settled down to waste a full sheet of paper. That set the marker and what you see here was the second full print made. For the record, after the base exposure for the foreground I burnt in the sky first and then the left hand side, both times using a sheet of paper to mask out the other areas. Then for the fourth and final pass I did a selective burn-in of the middle of the print, using a sheet of paper with a hole torn in it. Torn rather than cut as you want the edges to be rough. It was tough to get the middle part to tone but I knew the detail was there in the negative, it was just a case of giving it enough light without causing the rest of the print to go black.
Born again? Once was bad enough . . . .
ReplyDeleteI don't do darkroom work anymore, but I like reading your descriptions of what you did. And some of it is applicable to the digital darkroom. Just the tools are different.
Haha. I think it was Nietzsche who said something like Never-ending life would be hell.
DeleteThanks - I'm glad my brief description of darkroom work resonated with you. I wonder sometimes if I should say more about my thoughts and workflow at times. Most of the time I'm content to show my prints and accompany them with random musings.
I enjoy reading all the musings, darkroom-related or not.
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